Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.

Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.

Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.
Bach opens The Well-Tempered Clavier with a Prelude built from flowing broken chords and a Fugue in which four melodic lines develop a single subject. The pair’s history begins in a teaching notebook and extends through handwritten copies, competing editions and Gounod’s Ave Maria.